E-----------|-----------|------------------------|
B-----------|-----------|------------------------|
G-----------|-----------|------------0-----------|
D-----------|------4----|------4---------4-------|
A------2----|--5--------|---5-----5----------5---|
E---3-------|-----------|------------------------|


Right before the violin comes in, Brock plays a C# on the A-string (which is 4) after the B (which is 2).

I didn’t feel like typing out the number of times he switches between the 3-2 and 5-4, so once again just listen to the recording to get the feeling. When switching back from the D to the G, play the third section with the open G note and mess around there because he varies it a little.

Echoing Part (37 seconds)

E----------------------------------------|--------------------------------------|
B---3--3--3--2--2------------------------|--3--3--3--2--2--3--3s5--2--0---------|
G---------------------2--2--2--2s4-------|--------------------------------------|
D----------------------------------------|--------------------------------------|
A----------------------------------------|--------------------------------------|
E----------------------------------------|--------------------------------------|

The song is just G to D the entire time, so you can use open chords or bar chords, whatever you’re more comfortable with. Brock’s acoustic guitar in the background is just G to D the whole time.

The noodling he does behind the violin solo and throughout the song is D Major the whole time so you can use this D major scale.

E--------------------------------------2--3--5----|
B--------------------------2--3--5----------------|
G------------------2--4---------------------------|
D-------2--4--5-----------------------------------|
A---5---------------------------------------------|
E-------------------------------------------------|


The ending is just a bunch of hits on a D power chord, and that segues into ATE, part 2.